Central Standard Radio Interview


Central Standard on KCUR interviewed me about The Caretaker at the Nerman Museum Of Contemporary Art. Listen HERE.


Uncommon Terrain At Shulamit Nazarian Los Angeles


Uncommon Terrain
curated by Anuradha Vikram

July 29, 2015 – August 28, 2015

Shulamit Nazarian | Los Angeles
17 North venice Bld Venice, California, 90291

Uncommon Terrain explores place from an abstract perspective. Each of the works included is anchored in a physical material or in a collective history that is transcended by personal perception, intuition, and embodied experience. The page, the canvas, or the gallery itself stands in for the landscape of the mind. The works are the tangible manifestations of a journey of discovery to understanding the self through contact with the other. Using painting, drawing, sculpture and photography, these five artists reveal something about themselves as well as the viewing audience-the places we have been, the people we have met, and the terrain we have traversed both physically and mentally.

Uncommon Terrain features works by Sherin Guirguis, Sanaz Mazinani, Amir H. Fallah, Elham Rokni and Galia Linn.


Time Lapse Video Of Installation At The Nerman Museum Of Contemporary Art


Watch me work in hyper speed in this short time lapse video of the installation of The Caretaker at the Nerman Museum of Contemporary Art.

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The Caretaker: Solo Exhibit At The Nerman Museum Of Contemporary Art

Posted on May 26 2015 by AHFstudio

The Caretaker
Amir H. Fallah

May 28th – September 27th, 2015
Opening Reception & Artist Lecture May 28th, 6-8pm

Nerman Museum Of Contemporary Art
12345 College Blvd
Overland Park, Kansas 66210

Amir H. Fallah’s installation, “The Caretaker,” is a continuation of his unique brand of portraiture. The artist creates a three-dimensional picture of his subject, JCCC journalism professor Mark Raduziner, through paintings and constructions inspired by Raduziner’s possessions, including his collection of more than 300 cactus plants, which has gained him a measure of local renown.

“An overarching theme of most of my work is: ‘How do you create an alternative portrait?’” Fallah said in a recent interview. “Instead of describing what someone looks like superficially, how do we approach portraiture in a new way?”

The central element of his installation is a 12-foot-high sculpture inspired by Raduziner’s collection of lava lamps, fronted with Plexiglas and mounted on a circular platform. Grow lights illumine the interior, which is lined with marbleized paper and houses a life-sized painted portrait of Raduziner, his head, face and entire upper body entirely hidden beneath wildly patterned Coogi sweaters.

Raduziner inherited the sweaters from his father; the needlepoint he holds belonged to his mother. Displayed with the painting, assorted specimens from Raduziner’s cactus collection complete this diorama of his life. Fallah extends his unconventional portrayal of Raduziner on the gallery walls, where he is displaying a massive wall hanging created from Coogi sweaters, large tondo paintings of flowers and additional cactus plants on specially-made shelves.


Artillery Magazine- Review Of Perfect Strangers And From The Primitive To The Present

Posted on May 06 2015 by AHFstudio

Peter Frank reviews my two shows in LA. Read the full review on the Artillery magazine website or below.

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We Must Risk Delight: Twenty Artists from Los Angeles At The Venice Biennale 2015

Posted on May 03 2015 by AHFstudio

We Must Risk Delight: Twenty Artists from Los Angeles
Official Collateral Event of the 56th Biennale Arti 

May 9 – November 22, 2015

Presented by BardoLA  in collaboration with Accademia di Belle Arti di Venezia

We Must Risk Delight: Twenty Artists from Los Angeles is an exhibition that presents, for the first time on the international stage, a group of exceptional contemporary Los Angeles artists whose work makes Los Angeles one of the most exciting hubs of creativity in the world today.

We Must Risk Delight is inspired by the poem A Brief for the Defense by a Pulitzer Prize for Poetry finalist, Jack Gilbert. In his viscerally visual poem, Gilbert calls on humanity to recognize every moment of delight even in the most ominous of impressions. By slicing through the somber depictions of the world we live in with sharp and vibrant moments of joy, the poet presents an irrefutable case for our happiness as being our most requisite expression of freedom, not in spite of the cruelty that is a part of our world, but because of it.

A work of art represents the artist’s vision of the world and, when embraced, it can be seen as a way of making a world. The artists presented in We Must Risk Delight will give the audiences of the Biennale Arte 2015 an opportunity to discover the city of Los Angeles through the kaleidoscope of its creative community, while also encouraging us all to risk delight and celebrate the act of creating as humanity’s pathway to joy: both within ourselves and in the collective world around us.

We Must Risk Delight: Twenty Artists from Los Angeles is being presented as an official Collateral Event of the 56th manifestation of la Biennale di Venezia, Biennale Arte 2015.

Exhibition on view: May 9 – November 22, 2015
Opening Party: May 7 @ 7pm
Venue: Magazzino del Sale No. 3, via Dorsoduro 264, Venezia 30123, Italy

Presented Artists:
Brandy Eve Allen                   Tanya Batura                   Jamison Carter                      Carolyn Castaño
Robbie Conal                          Kenturah Davis                Amir H. Fallah                       Alexandra Grant
Margaret Griffith                   Sherin Guirguis                Ben Jackel                              Mark Licari
Rebecca Niederlander          Stas Orlovski                    Natasa Prosenc Stearns       Tony de los Reyes
Frank Ryan                             Shizu Saldamando           Carole Silverstein                  Alexis Zoto


A Curious Blindness At Columbia University’s Wallach Gallery


I’m happy to be included in A Curious Blindness At Columbia University’s Wallach Gallery.

April 22 – June 13, 2015
Opening reception: April 21, 2015, 6 – 8pm
A curious blindness reflects a moment captured by eighteen early- to mid-career artists who engage with the complex climate of race and identity politics. Despite their varied backgrounds and influences, there is a shared consciousness of how people of color are treated and represented in a purportedly post–racial era. The selection of works within the exhibition responds and reacts to the institutionalized racism that permeates the quotidian through media, consumer capitalism, and the art-historical canon. The artists are influenced by ideas of portraiture, seriality, and the consumable that evoke the ways in which the body of color has been objectified and abbreviated through time. a curious blindness is curated by Vivian Chui, Tara Kuruvilla, and Doris Zhao. It is the third presentation of MODA Curates—an annual opportunity offered by The Miriam and Ira D. Wallach Art Gallery and the MA in Modern Art: Critical and Curatorial Studies Program (MODA) for outstanding curatorial proposals related to students’ theses.

Exhibiting Artists: Elia Alba, Firelei Báez, Suzanne Broughel, Ling Chun, Suntek Chung, Amir H. Fallah, Paula Garcia, Girl (Chitra Ganesh & Simone Leigh), Hassan Hajjaj, Nora Howell, Timothy Hyunsoo Lee, Ahmed Mater, Divya Mehra, Jayson Musson, Rashaad Newsome, Sondra Perry, Paul Anthony Smith

The Wallach Gallery is located on the 8th floor of Schermerhorn Hall, Columbia University, 1190 Amsterdam Avenue, New York, NY 10027.
Regular hours are Wednesday to Saturday, from 1 to 5pm.

 


On Filling The Negative Space Reviews From The Primitive To The Present Review


 

Review of my show at Charlie James Gallery on Filling The Negative Space.

 


KCET- Amir H. Fallah: Expressions Of Identity


 

Thank you to KCET for the wonderful write up about my solo show at 18th Street Art Center.


Perfect Strangers- Solo Show At 18th Street Art Center


Residency & Exhibition:
January 12 – March 27, 2015

Perfect Strangers
18th Street Arts Center | Main Gallery
1639 18th Street
Santa Monica, CA 90404

For his Artist Lab Residency beginning January 12, 2015 at 18th Street Arts Center, LA-based painter and installation artist Amir H. Fallah turns a lens on his own city. Perfect Strangers is an ongoing project that Fallah has used to explore identity, place, and the life of objects in cities around the world. At 18th Street, Fallah will collaborate with young residents of Santa Monica to create site-specific portraits through painting, installation, photography, and sound. Exploring ideas of portrait/anti-portrait, Fallah offers a vision of community described through the deliberate arrangement of sentimental ephemera, collectedfrom subjects known and unknown, that embraces the nuances of the process by which we establish a sense of self.

In the Artist Lab, school children at area private and public schools will participate in Fallah’s project, creating group self-portraits focused on objects of significance to them, and collaborating to produce a portrait of their own imaginings of their future selves. Additionally, Fallah will work with students from nearby Santa Monica College to create an installation environment inside which painted and recorded portraits of his collaborators will be installed. These evolving installations at 18th Street will be complemented by a related body of work drawn from local estate sales, on view across town at Chinatown’s Charlie James Gallery in March 2015. This work completes the circle of life that Fallah represents in his project, resulting in portraits of identity constructed forensically on behalf of the deceased; contrasting with his portraits at 18th Street made collaboratively with youth to describe their lives as yet unknown.

Much like a historian or ethnographer, Fallah works with a diverse mix of local communities and groups to collect material evidence of their private and public lives and transform them into artworks. Portraits are composed using objects and textiles the subjects deem significant, to develop an exploration of the ways that identities are formed out of emotional associations with– and nostalgia for–specific products, objects, and places. Perfect Strangers re-interprets and gives new weight to everyday objects as active participants in the construction of self identification. Fallah’s compositions, both fluid and fragmented, embrace the moments when things do not quite align, and gives the work a sense of honesty that reveals the complex factors of identity which cannot be expressed through a simple corporeal rendering. Inviting the community and its objects into the Artist Lab, Fallah articulates a sense of regional identity that is ambiguous, yet informed by the perspective of an international artist who calls the Los Angeles metro area home.


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